A city like Berkeley, therefore, has something valuable to preserve, according to Heyday Books founder and longtime resident Malcolm Margolin. He says a dinner conversation sparked the idea of inviting friends to discuss the city’s values and culture in a free, public panel at 7 p.m. on July 20 as part of Books Inc. grand opening celebrations at its new northside location at 1491 Shattuck Ave. “It came up because I was auctioned off for a benefit for Berkeley Public Library,” Margolin says. “People paid to have dinner with me and the talk was about the ‘Manhattanization’ of Berkeley. I love Manhattan so I wasn’t entirely opposed to it. It has economic benefit, freshening, renaissance, but at the same time, it has costs.”.

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In a region that prides itself on disrupting the status quo, Cellista is celebrating the legacy of the original disrupters. With the Great War still bogged down in the trenches on the Western front, the polymathic savant Jean Cocteau premiered his ballet “Parade” in Paris on May 17, 1917. The production featured music by Erik Satie, Pablo Picasso-designed costumes and sets, and Léonide Massine’s choreography for Sergei Diaghilev’s Ballets Russes. It was the work for which Guillaume Apollinaire, writing in the program notes, coined the term “surrealism.” Talk about a dream team.

Traditional gym settings can be especially intimidating for new moms dealing with unfamiliar body issues, Fitness instructor Kathy Corbey recognized the need for an alternative way to work out when she ballet shoes los angeles gained more than 70 pounds with her first baby, She spent six years developing her mom-baby classes at rented spaces around Northern Virginia before opening the Mommy Bootcamp studio in Ashburn, Va., in 2012, Just off the 4,000-square-foot fitness area is an open playroom, where kids 18 months or older can read, color and frolic, Babies stay in strollers closer to Mom — or even hang out in carriers during low-impact exercises, And whether she’s taking Hot Mama! (Zumba-esque cardio dance) or BOOTY-camp (which focuses on glutes and core), there’s no problem having kids who act like kids..

“I’ve been really inspired by Raisa’s formalism, her very conscious approach to phrasemaking,” Bailis says. “She’s got a wonderful dramatic sensibility in a classical approach to modern dance. She comes to us with a tremendous amount of craft and really interesting ideas about the moving body.”. As much a performance artist as a dance maker, Caffey is known for integrating text and dance, language and improvised movement. A member of Oakland’s Wing It! Performance Ensemble, she also has developed work through ODC’s pilot program.