The girl did not return to the school after that. The girl suffered “severe emotional distress, embarrassment, humiliation, anxiety, and exacerbation of pre-existing conditions, including post-traumatic stress disorder,” according to the suit. She had been raped by a male foster parent as a young child and had also suffered a “traumatic brain injury,” according to the complaint. Middle schools and high schools have grappled with issues of student-on-student sexual harassment and assault. According to a 2009 report from the Department of Justice, 36 percent of people who commit sex crimes against minors are youths themselves. A report by the U.S. Department of Education’s Office of Civil Rights showed that the nationwide number of annual complaints about schools’ handling of sexual violence increased 277 percent at the K-12 level and 831 percent at the post-secondary level between the 2011 and 2016 fiscal years, while the number of annual complaints overall increased 113 percent in that same period. It’s unclear whether that’s because awareness has increased or assault and harassment incidents actually have risen.

The play uses humor to leaven intensely dramatic scenes, Joseph says, “That tends to happen naturally for me, I look at this play as a drama, and yet I find that, in some of the more serious moments, you also have the funnier moments, And I find that in life, Comedy goes hand in hand with serious drama.”, Sardelli says, ballet knit slippers “The humor is often a way of deflecting the truth of what’s happening, So you’re finding the line, where you’ve hit the truth enough that everyone needs a relief from it.”..

But the Amanda Folena-directed production isn’t just a one-horse show. It also boasts the terrifically lyrical ballet-inspired choreography of Jerome Robbins (and additional choreography by Nicole Helfer). The muscular Jets and Sharks men know their way around a ballet barre, which makes several of their numbers (the “Prologue” in particular) so poetic it’s sheer pleasure to watch. That’s the way Robbins wanted it. And with Leonard Bernstein’s soaring score, loaded with such memorable songs as “Somewhere,” “Tonight,” “Maria” and “One Hand, One Heart,” every piston has to be hitting to make this musical sizzle. It does, thanks to not only a number of top-notch voices and a solid orchestral effort lead by musical director Sean Kana.

Without critical approval or a book or recording contract, McKuen proved that an artist could thrive on word of mouth alone, He sang in bowling alleys to promote “Oliver Twist,” which cracked the Billboard top 100, His self-published collection of poems and lyrics, “Stanyan Street and Other Sorrows,” sold tens of thousands of copies before Random House acquired it, ballet knit slippers McKuen slowed down over the second half of his life, and many of his books fell out of print, However, he continued to publish poetry, remastered old musical recordings and gave occasional concerts, He provided voiceovers for the Disney movie and TV series “The Little Mermaid” and appeared at Carnegie Hall in 1995 for an 80th birthday tribute to Sinatra, Artists continued to record his songs, including the former Gene Ween, Aaron Freeman, who in 2012 released an album of McKuen covers called “Marvelous Clouds.”..

Always on the lookout for new instruments, Lemmon, during a recent trip to perform in Taiwan, purchased a set of Chinese cymbals and bells, which will be played at the Santa Cruz Civic on Saturday at the West Coast premiere of Huang Ruo’s “The Color Yellow.” When he doesn’t own an instrument and it can’t be rented, he often builds it himself. Ruo’s score also calls for a lionlike roar, and with large cats in short supply Lemmon took “an old bass drum and melted a little hole in the middle,” he says. “I put in a string through the hole and when you pull it through, it gives that roaring sound.”.